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《诱饵2019》剧情片高清迅雷在线观看 - 全集电影云播在线-维帮电影网


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    诱饵2019

    诱饵2019

    • 剧情 
    • Morgan Val Baker Georgia Ellery 
    • 康沃尔渔村的风景明信片田园诗误导了人们 。虽然过去钓鱼是一种养家糊口的方式 ,但如今富有的伦敦游客纷纷下山 ,取代了当地人 ,当地人的生计因此受到威胁。史蒂文和马丁兄弟的关系也很紧张。马丁是一个没有船的渔夫 ,因为史蒂文开始用它来为一整天的游客提供更赚钱的旅游 。他们卖掉了这座家庭别墅,现在看来 ,最后一场战斗是和新主人在海边的停车位上展开。然而,情况很快就失控了  ,而不仅仅是因为车轮夹钳。 Bait是一种黑白  ,手工制作,16毫米胶片制作的电影 。许多关于鱼、网、龙虾、长靴 、绳结和渔篮的特写镜头让人想起了蒙太奇景点的理论。对不同社会阶层的描述——可以说是阶级关系——也让人想起了英国电影中的社会现实主义传统。然而,最重要的是 ,在影像中不同层次的电影历史参考文献之下,当前许多政治关联正在等待被发现。 The picture-postcard idyll of the Cornwall fishing village is misleading . While fishing used to be a way of supporting oneself , wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained . Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea . Yet the situation soon gets out of hand  , and not just because of the wheel clamp. Bait is a black-and-white film shot on hand-processed 16mm . Numerous close-ups of fish, nets , lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images  .

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