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2002恐怖片《极度恐慌1983》西班牙电影手机在线播放 - 在线影院


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    极度恐慌1983

    • 恐怖 
    • Paul Naschy Julia Saly Lola 
    • PANIC BEATS begins wi th a totally nude wo man with we lts on her body , running th rough a misty f orest full of decaye d skelet ons. A kni ght on horsebac k is chasing h er, an d we so on learn that h e is Alaric de Marnac (a wicke d chara cter Nas chy first c reated for HORROR RI SES FROM T HE TOMB ), vicio usly kil ling her for h er unfaithfu l ways. After the cre dits role, we are taken to the p resent where a descenden t of Marnac na med Paul (Na schy) is married t o the wealthy G eneviève (J ulia Saly) was has some s erious heart p roblems. Paul dec ides to take her to his ancestral home in the count ry for som e peace a nd quiet, but the s uperstitious-f illed setting opens a Pando ra’s Box of terrible oc currences . We soon d iscover that Paul is a rea l son-of-a -bitch who plans t o scare his wif e to death, pl anning to control her f ortune and continu e his secret affair with s eductive b ad girl Mirei lle (Silvia Miró), who happens t o be the niece of th e tarot card-reading h ousekeeper, Mabile ( Lola Gao s). Paul ’s malevolent scheme w orks, but he s till ha s to wo rry about an ad ditional money-hungry mistre ss (this guy re ally gets around!), the u nforgivin g Mabile, a s well as ne w fiance é Mireille who might b e hiding a thing or two he rself. More grisly murders follow, and the ghos t of Marnac returns from hell t o punish the most despic able huma n charact er in the f ilm. PANIC BE ATS was als o writte n by Naschy (under his real n ame Jacinto Mol ina) who injec ts the fi lm with an ol d-fashioned spo oky house motif, beefed up with a moder n movie sense of viole nce and sexuality. T he film o ffers nothing too innovativ e storywise, and even Nas chy admits o n the disc’s e xtras that it was partly inspired b y GASLIGHT a nd REBECCA, but he s eems to jus t toss i n a hodgepod ge of exploita tion and h orror in gredients, while del ivering a stylish an d enjoy able eff ort with a number of twi sts and some genuinely chilling moments. T he camera shots and lig hting are bot h effective, and the re&#3 9;s even does a co ol set- up (much lik e what Fr eddie Fra ncis did in TH E SKULL and THE CREEPING FL ESH) where w e see the po int of view of Mar nac throu gh his d ark hel met as he stalk s his female prey. Graphic ally, we are exposed to everyt hing from a p late of blood y eyeballs, to victims being beat en relent lessly with th e vario us Medi evals weapons a ffixed on the house’ s walls (for ex ample, s omeone is axed in the sto mach, f ollowed by the soaked entrail s oozing o ut!). Naschy ’s most frequent 198 0s leadi ng lady, Julia Saly, is not gi ven muc h to do, but w ith her offbeat lo oks, i s a nice pres ence nonethel ess. The pro minent female star here is S ilvia Miró wh o is seen in t he buff freque ntly, and she certainly make s for som e well-appreci ated Euro starlet eye c andy. Naschy himself is ver y good in the film, putting on conniv ing facades , carryi ng a num ber of women on a str ing,

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