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    • 家庭片 
    • 颜婷易兰 金桂斌 林志颖 关礼 
    • In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Miroslav Machá chek as the priest , castin g a sinis ter and imp osing shadow wherever he goes , and Ces tmír Ra nda as t he weasel like regent behin d all the pers ecution. Whi le Vít Ol mer brings a c harismatic lead ing man presen ce in hi s role as the mill er's son Jan, in love with the lovely or phan girl Mart ina (Karla Cha dimová), wh o becom es a danger ous obje ct of riv alry between J an and other youn g men of the villag e. The film also featur es the ev ocative musi c of Zden?k Li ška (perhaps the most prolifi c composer of the Czech New Wave). In this h is second of eleven col laborat ions with Vlá?il, his compositions a re used sparing ly, but to gr eat effect, complimenti ng but ne ver overp owering a scene . The best example of which can be heard in an am azingly shot celebration an d dance sequence at t he end o f the seco nd act. The De vil' s Trap might n ot be a masterp iece, but it is still a str ong effort, with a f ascinating stra ightforw ard story an d a glorio us historical setting cap tured beautiful ly by Vlá?il&am p;#39;s unm istakable visu al prowe ss. A fine work that would al so be the per fect starter plate t o prepare yourself for the challe nging feast of Marketa Laza rová or The Valley of the Bees. It even has an easy to digest runn ing time. It 's th erefore puz zling why this gem remain s largely overlo oked and igno red.

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