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《甜蜜日记》电影免费观看 -1988日韩 -在线影院


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    甜蜜日记

    • 剧情片 
    • 袁百梓卉 阿娜伊斯·德穆 恬妞 克里斯·海姆斯沃斯 梅利莎·乔治 
    • In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil. The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968). Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace. As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery. Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door. The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more. Acting is great all around. Particularly the villains: Mirosl av Macháchek as the pri est, cast ing a siniste r and impo sing shadow whe rever he goes , and Cestmír Randa as the weasel l ike regen t behind all the pe rsecutio n. While Vít Olmer brings a charis matic leading man prese nce in hi s role as the miller&a mp;#39;s son Jan, in love wi th the lo vely orphan girl Mart ina (Karla Chadimová), who becomes a dangerous object o f rivalry between Jan and other young men of the vi llage. The film also feat ures the evoca tive music o f Zden?k L iška (perha ps the most prolific compos er of the Czech N ew Wave). In this hi s second of eleven collab orations with V lá?il, his composition s are used sp aringly, but to great effect, com plimenting b ut never ove rpowerin g a scene. T he best exa mple of which can be hear d in an am azingly shot celebrati on and dance s equence a t the end of the sec ond act. The Dev il&#39 ;s Trap migh t not be a ma sterpiec e, but it i s still a s trong effo rt, with a f ascinating st raightforward s tory and a glorious h istorical setti ng captured bea utifully b y Vlá?il& #39;s unm istakable visual p rowess. A f ine work t hat woul d also be the perfect star ter plate to prepare yourself for the challengin g feast of Mark eta Laza rová or The Val ley of the Be es. It ev en has an easy to digest runn ing time. It&a mp;#39;s therefore puzzling why this gem remains largel y overloo ked and ig nored.

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